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LGM Day 3, Day 4, Follow Up

Days went by so quick, so here is a summary.

Day three was intense. The presentations were very interesting, particularly those of Andrew Mihal about Enblend-Enfuse and about GPU stitching. In the evening we had the conference supper, a very pleasant social event at which I learned from about Øyvind’s Now By Then installation and got a chance to purchase one of the last “Architecture Fiver“‘s  that Stani brought along for his talk. He also patiently gave me an insight into the thinking pattern of curators, lifting my morale from the previous day.

On day four I had a near-death experience. Since Tom Sharpless could not attend, I picked up his slide and hosted the talk. In the morning I prepared my notebook in dual display mode, so that on one display I can run the demonstrations of Panini, MathMap and Hugin, while on the other display I had my notes, which I kept editing until shortly before my talk. Without saving. Disaster strikes when I connect the notebook to the projector. My notebook’s native resolution is 1400×1050, too much for the projector to handle. Must restart X. Lose all presets and notes! I froze on the spot. Had to cut on a few gimmicks such as recording the talk with the catadioptric lens or shooting a stitched panorama during the talk (I made the move with the camera around the tripod, but had no available brain cycles to even think of setting the exposure or pressing the real button. I felt like a zombie and was disappointed at my performance which I felt was terrible, although a look at its recording comforted me: it was not that bad after all, even if I forgot to say half the things I wanted to say, the live demo and the interaction with the public were not that catastrophic.

The good news from day four was that Sébastien and Vincent debugged the flat display in extremis so that people walking out of for the lunch break passed by and could admire Guillaume’s stunning Boulevard Bancel (we’ll gladly admit that once this was on screen and working we pulled the cables on the slide show so that nothing can go wrong. Proper slide show the next time).

Since the cafeteria was closed on Sunday, we had to order pizzas for lunch, which was great as it inspired more exchanges before the last presentations. In the end, I even got the honor of shooting the official group picture, and to offer some of the present teams a panorama inside a panorama in the Cyclorama, while our team helped folding up the exhibit canvases.

After protracted good byes, I drove eastwards with Alexandre and Pablo. Alexandre only joined us for a tour of Québec-City. Pablo continued with us to Boréalie before I drove him back to Montréal for his flight on Wednseday. The rest of the week, and the weekend, I had to catch up with pent up business. Particularly the weekend was difficult, with a few difficulties upgrading servers remotely from FreeBSD 6.3 to FreeBSD 7.2 (the worse thing is that all manipulations worked well on the guinea-pig server in the office that is pretty much an exact mirror of the servers to be upgraded).

I still made time on Sunday evening for another quick hop to Montréal, and I am happy I did. Joergen Geerds was visiting for the weekend with his girlfriend. Interesting people.

After

Bend to Please

Equirect

equirectangular 360°

Earlier this year I used the above full spherical panorama to test the new projections as they were added to libpano. You can view it from the inside here.

Those new projections devised by Tom, Bruno and Daniel, were not all. In his quest to satisfy our sense of what the world really looks like without being limited by the narrow field of view of the traditional rectilinear perspective, Tom Sharpless asked for permission to modify and use the image. A few weeks later he came up with a real WOW! He is currently working on implementing this and more into his Panini Perspective Tool.

Tom was meant to discuss his work at LGM but prior commitments and the lack of a teleporting facility makes it impossible for him to attend. We agreed that I will present his slides, and host a discussion on Panoramic Perspective Control. The main idea: use of panoramic photography techniques, coupled with computing, to achieve new images that break out of the physical boundaries set by traditional optics and appeal to the human sense of aesthetics.

As part of the talk, I’ll show how I followed into Tom’s footsteps and produced the image below.

PVsqueezed to be optically pleasant.

Tools

You will need

  • Tom’s Panini Perspective Tool, or if you want to do this in high resolution a recent (2009) version of Hugin.
  • A recent version of the GIMP. I had to build 2.6.x on my own box until Ubuntu 9.04 came along. Building the GIMP from code is not trivial but relatively well documented around the web.
  • A recent version of MathMap. Unfortunately MathMap is not yet packaged with Ubuntu. The 1.3.4 tarball will do. To my knowledge, nobody has got MathMap to work on Windows yet.
  • Tom’s PVSqueeze.mm script. Put it in the appropriate MathMap folder or copy&paste it into the “Expression” tab.

Process240° x 150° equirectangular pannini

  1. As so often, we start from an equirectangular image, the universal panorama format.
  2. Load the equirectangular in Hugin and extract an Equirectangular Pannini view of the area of interest. The flexibility of extracting an Equirectangular Pannini view is higher in Panini, but Panini’s resolution is limited by the video card’s memory. Hugin can do higher resolutions but has the disadvantage that the eye distance (horizontal compression) in libpano is fixed (patch, anyone?)
  3. Load the perspective into the GIMP.
  4. From the GIMP menu, open the Filter MathMap.
  5. Load the PVSqueeze filter.
  6. Click Preview to see the low-resolution live image.
  7. In MathMap’s User Values tab, adjust the values and see the live image morph until you like it.

MathMapping

From MathMap’s homepage: “MathMap is a GIMP plug-in which allows distortion of images specified in a simple programming language. For each pixel in the generated image, a script is evaluated which returns a color value. The script can either refer to a pixel in the source image or can generate colors completely independent of the source.” MathMap’s is a project of Mark Probst.

PVSqueeze

Using Tom’s PVSqueeze filter:

  1. Set the horizontal field of view (hfov) and eye distance (eyeDist) sliders roughly right for your input image.
  2. Adjust the vanishing point (VP) position (VPX, VPY), and the slopes of the 4 perspective edges (XXangl) so they line up with the appropriate edges in your image. There aren’t any drawn lines, but the change of image shape is pretty easy to see. Note you have to set the projection center Y identical to the VP Y by hand, or you get a black triangle in the middle (bug; but misaligning them can help you see just where the VP is).
  3. Adjust the shift modifiers for the upper and lower Vees to suit.  Basically these swing the pixel shift direction between straight up and down — which preserves verticals like chair legs — and radial with regard to the VP — which makes most floor patterns look nicer but also creates the curved diverging lines. The shift direction varies with vertical position, from vertical at the VP to radial farther out.  XVlim controls the vertical level at which this transition starts, and XTwid the width of the transition zone.  You can set them for pure vertical or pure radial shift, or some blend.
  4. Hit OK, review the full size result in the Gimp window; save or go back and adjust some more.

Next

So we used some smart math and arbitrary parameters to bend a captured panoramic image to please our taste. In doing this, we connected back to the Renaissance tradition of perspective on a mathematical basis. The resulting high-resolution picture is currently being printed on canvas to be displayed at the Ultra Wide Views exhibition that opens May 6 in Montréal, Canada. At Libre Graphics Meeting I will show more detail and I hope we can discuss how to classify the different projection types and make them more accessible to graphic artists.